Holidays at the SciFabLab / festività allo SciFabLab

Holiday Openings: The Scifab will be closed during the period 19 Dec. – 6 Jan. except on the following days: Monday 22 and Tuesday 23, Monday 29 and Tuesday 30 December 2014 (all four days: only afternoon, from 2pm until 9 pm). Starting from Wednesday 7 Jan. 2015 the timetable will be as usual again.

Aperture durante le festività: Lo SciFabLab rimarrà chiuso durante il periodo dal 19 dicembre al 6 gennaio tranne che nei seguenti giorni: lunedì 22 e martedì 23, lunedì 29 e martedì 30 dicembre 2014 (per tutti e 4 i giorni: apertura solo pomeridiana dalle 14 alle 21). Gli orari riprenderanno lo schema consueto a partire da mercoledì 7 gennaio 2015.

 

Buon Natale!

(photo & artwork by Sara Sossi @ the ICTP SciFabLab)

To all of you friends and makers,
our best wishes for
 
a Happy Christmas and
a New 2015 full of great innovative ideas
(to be realized in the SciFabLab ;-)
!!!
 
Enrique & Carlo

Opening times / Orario di Apertura

 Notice / Attenzione:

Monday, 8 December the SciFabLab will be open as usual.
Lunedì 8 dicembre lo ScifabLab sarà aperto con l’orario consueto.

Please note: the opening time is now at 10am every day, and the closing time is now 6pm on Monday, Wednesday and Friday.
Attenzione: l’orario di apertura è ora fissato alle 10:00 ogni giorno, e l’orario di chiusura è ora alle 18:00 il lunedì, mercoledì e venerdì.

Further openings will be scheduled during the holiday period, please check the When page.
Ulteriori aperture saranno programmate per il periodo natalizio, controllate la pagina Quando.

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From Bottle Caps to 3D-Printing: An open guide

By: J. A. Montoya

 

To the public it is a little known fact that different types of plastic can differ widely on the process that is required in order to recycle them. One common example is plastic bottles, where the bottles and their caps are made of PET and HDPE respectively (frequently Polypropylene is also used as a cap material). At the recycling facility bottles and caps need to be separated because their recycling process is different and this, at a large scale, implies high labor costs and possible waste of some of the material, depending on the separation method that is being used. In general, leaving the caps on the bottles is a better option than throwing them to the dumpster, however, it is important to remember that not every recycling facility around the world is guaranteed to be able to process different types of plastic. A better solution would be to leave the recycling of the transparent part of the bottles (the PET) to a specialized company and make sure that their plastic caps do not end up in a landfill by doing something useful with them at home.

Before going forward, we need to mention that we intend to use the recycled plastic as filament (raw material) for low-cost 3D-printing. The first source of abundant and cheap plastic that always comes to people’s minds is the bottle itself, which is made of PET (recycling code 1) . However, in order to feed this or any other plastic into a 3D-printer, we need first to make plastic filament of a constant diameter. In order to achieve this, PET needs to be heated up to a temperature that renders it soft (not liquid) so that it can be extruded by applying pressure through a hole with a size that will determine the diameter of the filament. The problem that one finds is that in the process of applying heat to PET it crystallizes and becomes brittle. To avoid this crystallization one would have to be very precise in controlling the temperature and the heating/cooling rates of the entire process, in order to keep PET in an amorphous form. The technical challenges inherent to this process make PET less suitable for a DIY project, like the one that we are trying to present here.

While Polypropylene (recycling code 5) is a very popular material to make bottle caps in many countries, in Italy, where we are located, most companies seem to prefer HDPE (recycling code 2) as a material for their plastic bottle-caps. We collected plastic caps in a nearby cafeteria and separated them by their material and color; this is where we noticed the Italian’s preference towards HDPE, since it made approximately 2/3 of the total of collected caps.

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We started the process by shredding the pink-colored HDPE caps. This can be accomplished with some robust kitchen equipment or with specialized hardware.

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The resulting material needed to be dried before it goes into the filament extruder.

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Then the filament extruder temperature was set to 132 C, and the feeding of the plastic could start. Each plastic cap will produce between 80 and 100 cm of filament at diameters around 1.75 mm.

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Keep in mind that the filament comes out of the extruder very hot and it is very irregular at first; you should make sure that the weight of the filament that is hanging, as well as the extruding temperature, feeding rate, pressure, etc., remain constant, so that the diameter of the filament reaches some uniformity. If you are doing this for the first time don’t feed the resulting filament into a Makerbot, or into some high-end 3D-printer, it will get clogged and your warranty won’t cover it, try to get some practice first and measure the diameter at several points, to make sure that it is constant and has the desired thickness.

We repeated the same procedure with some blue HDPE caps and got a much nicer filament out of them, after all this was our second attempt :-)

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Now it comes the printing part. HDPE experienced a big contraction when it cooled after being extruded by the 3D-printer nozzle. We were not able to get it to stick for more than a few seconds to a clean and smooth hot surface, even after heating our printing bed up to 110 C, which exceeded the maximum bed-temperature in our Solidoodle 3D-printer. We then decided to prepare a mixture of ABS plastic with acetone and cover (paint) the plate with it.

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After this procedure the recycled plastic stuck nicely to the blue ABS layer, shown in the picture above.

The main challenge now was that the temperature that is required to guarantee a good flow of HDPE out of the printing nozzle seems to be 220 C or higher. The printer that we were using turned itself off at temperatures above 210 C, as a safety measure. The pink HDPE would stop flowing through the nozzle after just a few minutes because 210 C seemed to be very low for this type of plastic. The blue HDPE filament instead was a bit more amenable to flow at 210 C, but the stress that the extrusion gear was applying on it was too high and eventually surpassed its mechanical limit of stability, causing the filament to bend, which in turn caused it to stop going into the printer’s hot-end and nozzle.

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So far, the final result is not what you would expect from a high-quality filament, but there is still a lot of room for improvement in both extrusion processes, i.e., when producing filament and when printing with it. Have you also experimented with HDPE? Do you have experience with Polypropylene or other plastics not discussed in this post?  Let us know.

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Team:
• Carlo Fonda
Javier A. Montoya

 

We thank S. Faeta, M. Trivella, N. Bonaventure, and Tamara, for their collaboration during this project. For materials and equipment we received support from the ICTP’s Fabrication Laboratory, which is part of the Science Dissemination Unit (SDU) at ICTP.

Nov-2014

FishEyA – Live Broadcasting Around 360 Degrees

FishEyA – Live Broadcasting Around 360 Degrees

Presentation by SciFabLab at Virtual Reality Software Technologies (VRST) 2014:  We aim to build up a low-cost prototype system for cognitive studies around a live 360 degrees vision. Have, e.g., an original broadcasting channel that could transmit and cover in real time a panoramic vision at a distance and with minimal computation. Have developed an optimized software  to run in mini-computers like Raspberry and Banana Pi, BeagleBone having a light GUI to easily configure the 360° visual field and activate the streaming signal.

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Lo SciFabLab citato sul sito di Make in Italy

L’ICTP ScifabLab e il recente esperimento di stampa 3D di una cinghia dentata per il restauro di una macchina “Programma 101” sono l’argomento dello splendido articolo di Alessandro Ranellucci apparso oggi sul sito web della Fondazione Make in Italy, l’importantissima realtà che rappresenta a livello nazionale il movimento dei maker e la rete dei FabLab italiani. Ringraziamo Alessandro per l’articolo e ne consigliamo a tutti la lettura!

Screen Shot 2014-11-12 at 18.45.23

In partenza per Lubiana!

Qualche settimana fa sono stata invitata a far parte di un bellissimo progetto che si svolge al MAO, il Museo per il Design e l’Architettura di Lubiana. Si può dormire nel museo a patto di presentare qualcosa, fare una mini conferenza o prendersi cura del museo e/o giardino. Volendo fare bella figura, ho deciso di presentare il mio progetto Cromopolis.

Dopo le famose battaglie perse con il software del laser cutter, mi sono arresa e ho preso alcuni dei vecchi file. Per la precisione gli unici che hanno sempre funzionato (gallina vecchia…). Il problema delle nuove forme generate con Adobe Illustrator ed esportate in formato .dxf per Inkscape, è rappresentato dal fatto che il software unisce dei punti apparentemente casuali (avrà una sua logica… spero). Quindi il risultato è che ad un punto, situato ad esempio al vertice di un arco di una finestra, ne viene collegato un altro non consecutivo ad esso, generando forme triangolari errate.

Cromopolis, taglio laser - Municipio

In conclusione: abbiamo girato di 20° le forme da incidere, in questo modo si genera un tratteggio inclinato che genera una texture molto più pronunciata rispetto al file perfettamente orizzontale. Con questo accorgimento abbiamo evitato di creare un file pesantissimo per ricreare una texture e alcune differenze di potenza del laser sono meno evidenti. Qui potete vedere il paragone tra le due prove.

Confronto stampe

Spesso la logica vera vince sulla tecnica. Eureka, avrebbe detto qualcuno.

Nuova cinghia 3D-printed per una Olivetti Programma 101

Un esemplare di Olivetti Programma 101 datato 1969 di proprietà dell’Università di Trieste è stato riparato da Giovanni de Sandre e Gastone Garziera in visita presso lo SciFabLab ICTP. Una cinghia dentata di difficile reperibilità, necessaria per far funzionare la stampante, è stata ottenuta tramite stampa 3D a basso costo, in Nylon, usando OpenSCAD, Slic3r ed una Printrbot Simple Metal. A riguardo potete anche leggere il bell’articolo che Alessandro Ranellucci ha scritto per la webzine della Fondazione Made In Italy.

Low-cost 3D printing of mathematical objects from IMAGINARY.ORG

The ICTP SciFabLab has hosted recently a project related to the challenge of making low-cost replicas of some mathematical surfaces that are part of the educational effort of IMAGINARY.ORG. Now the results are presented at a conference in Cape Town (South Africa), here you can find the presentations:

“Low-cost 3D Printing: Maths you can touch”

(duration: 60 min, 68 slides)

IMAGINARY_1 (PDF, 26 MB)

IMAGINARY_1 (PPTX, 345 MBWARNING: big file size!)

“Replicating the IMAGINARY collection of math objects using low-cost 3D printers”

(duration: 15 min, 18 slides)

IMAGINARY_2 (PDF, 5 MB)

IMAGINARY_2 (PPTX, 20 MB)

“Software tools and web resources to generate math objects for 3D-printing”

(duration: 30 min, 19 slides)

IMAGINARY_3 (PDF, 10 MB)

IMAGINARY_3 (PPTX, 25 MB)

Three related articles

extracted from the free open book on “Low-cost 3D Printing for Science, Education and Sustainable Development”, about OpenSCAD and K3DSurf (software tools to generate printable math objects)

  • 3D Modeling with OpenSCAD – Part 1
    by Sebastian Büttrich
  • 3D Modeling with OpenSCAD – Part 2
    by Marius Kintel
  • From Math to Jewel: an Example
    by Gaya Fior

excerpt_3DPrinting_Book (PDF, 11 MB)

First Desktop Computer at Work After 45 Years! / Olivetti Programma 101 Rimesso in Funzione!

Dopo 45 anni, abbiamo rimesso in funzione un desktop computer Olivetti Programma 101, stampando una cinghia ad-hoc con le nuove stampanti 3D a basso costo presso l’ICTP Scientific FabLab. Il tutto sotto la guida di Gastone Garziera durante la sua visita con Giovanni de Sandre, entrambi dal gruppo originale di progettisti e sviluppatori di Pier Giorgio Perotto dell’Olivetti di Ivrea.

Making a desktop computer Olivetti Programma 101 work after 45 years by using an ad-hoc soft belt printed with the new low-cost 3D printers of the ICTP Scientific FabLab in Trieste, Italy; under the guidance of Gastone Garziera, during his visit together with Giovanni de Sandre, from the famous Pier Giorgio Perotto’s Group at Olivetti, Ivrea.